在僵尸来袭之后，Mike 和 Kim 加固他们在树林里的小屋。每当他们的补给用完，Mike 就离开去寻找。尽管Kim 想和他一起去，他坚持要她呆在小屋里，在这里她是安全的。Mike 记录下他消灭的僵尸，用一系列经典的摇滚歌曲节奏的敲击来证明自己的身份，并证明他没有被感染。
J. Claude Deering
在僵尸来袭之后，Mike 和 Kim 加固他们在树林里的小屋。每当他们的补给用完，Mike 就离开去寻找。尽管Kim 想和他一起去，他坚持要她呆在小屋里，在这里她是安全的。Mike 记录下他消灭的僵尸，用一系列经典的摇滚歌曲节奏的敲击来证明自己的身份，并证明他没有被感染。感染的症状包括黑虹膜、黑血和暴力偏执。由于这个区域能提供生命所需的东西越来越少，Mike 建议为了他们的食物去打猎……
After a zombie apocalypse, Mike and Kim reinforce their cabin in the woods. Whenever their supplies run out, Mike leaves to scavenge. Though Kim wishes to come with him, he insists that she stay behind in the cabin, where she is safe. Mike, who keeps a running tally of the zombies that he destroys, uses a rhythmic series of knocks based on classic rock songs in order to identify himself and prove that he has not become infected. Symptoms of infection include black irises, black blood, and violent paranoia. As the supplies in the area become exhausted, Mike suggests that they return to hunting for their food. Kim refuses, and flashbacks reveal that a second couple, Todd and Erika, lived with them until Todd and Erika ate tainted meat. Mike and Kim are forced to kill both the couple and their own baby, who also ate the tainted food.
While Mike is out on a scavenging trip, Kim receives a call on her walkie-talkie from a man identifying himself as Ranger Mark. Mark is at first helpful and promises to aid her, but his calls become more abusive and misogynistic over time. Kim does not tell Mike about the calls. After an unproductive outing, Mike says that the area has become too dangerous for the meager supplies that he is able to find, and he proposes that they move to the coast, where they can live in a mansion and safely run a generator. Kim agrees and asks to accompany Mike, but he again refuses. Kim is left alone for a longer period this time, as Mike must locate enough resources to last them the entire trip.
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